It’s so radically different. We are definitely in the second wave of it. If you look at that first wave, it was primarily, but not exclusively white writers. It was disproportionately male. Trans, gender queer, bi, intersex, there were all of these identities that were underrepresented or not represented at all. So I think the path of queer YA is the path of inclusion, and trying to include as many voices as possible. I think if you look at the past 10 years, it’s astonishing how much its diversified. If you look 10 years from now, it will still be astonishing of how far we need to go. But I think the trajectory is certainly the right one.